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Tattoo History – The History and Origin of Tattoos

The scarification process now known as tattooing most likely goes back to at least the Neolithic age (the New Stone Age). Tattooing probably also has a prehistoric beginning. The tattoos frequently displayed by modern aborigines are thought to reflect skin designs from the Neolithic ancestors of modern Europeans. It is amazing to think these designs are thought to date back twenty millennia or more. The oldest verifiable example of tattooing goes back five thousand years to the frozen, mummified remains of the “Ice Man” of Central Europe, a frozen legacy in tattoo history. As with any historical topic there are assumptions interwoven with fact, but the “Ice Man” is a factual example of the vast history of this art form.

Further back in history, we can see evidence of tattoos on Egyptian mummies. These specimens date back up to four millennia ago and many believe they represent the true beginning of recorded tattoo history. The tattooed mummies are all female so it has been speculated that they were courtesans and that the tattoos served to identify this social strata of ancient Egypt.

After Ancient Eygpt came the Graeco-Roman world, which did not practice tattooing except as a means of labelling slaves. The Greeks and Romans looked upon this practice as being too barbaric, but not for slaves, illustrating the low level of feeling towards these unfortunate people. Celtic and Germanic tribes of the same era, whom the Romans considered to be uncivilised barbarians, extensively engaged in tattooing. The Picts, various tries who lived in what is now northern and eastern Scotland, did something entirely unique in tattoo history by painting their entire bodies the colour blue.

During medieval Europe is it is widely accepted that the art of tattooing became dormant. Catholic beliefs of the time forbade body ornamentation. Tattoos were condemned as being primitive and Pagan. Meanwhile other parts of the world such as Asia, Polynesia and what would become North and South America, tattooing was celebrated. Tattoo history was kept alive during the European Middle Ages by Asiatic and Polynesian cultures. The Maori of New Zealand developed elaborate spiral tattoos on the face and body that were an integral aspect of their religious beliefs. At this time the art was refined, becoming integrated with sacred religious rites and rituals. Many believe term tattoo we use today comes from the Tahitian Polynesian word tatu, which means to mark.

Western civilisation was once again partaking in tattoos as sailors returned from the South Seas adorned with samples of Polynesian tattoo art in the 17th and 18th centuries. As sailors travelling in Polynesia reintroduced the tattoos this art form was mainly associated with sailors for years. British and American artisans began to merge primitive designs with fine art, adding an additional dimension to the laborious process of the tattoo, which was a marker in tattoo history.

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Get Print-Ready! Kill Fuzzy Fonts! Your Guide to Print Ready Documents!

Fuzzy fonts are unflattering to say the least! So why does this happen you wonder? Well the main reason it happens is because you have sent a JPG to your printer to be printed instead of a file that can hold the fonts separate from the background like a .pdf.ai.ind and a few others. When you send through a JPG to be printed its is just one layer, meaning your background image and your fonts are all together in one image, flattened and this causes the edges of your fonts to be fuzzy instead of crispy clear.

I’m going to take your though the process of getting your file print-ready and without fuzz using Photoshop and Illustrator. In this tutorial i am going to assume you already have some artwork ( that is not flattened ) that has text in it. So lets get started.

Step 1. Open your document in Photoshop and if you haven’t already then convert it to CYMK by clicking on Image/Mode then selecting CYMK from the list. ( If you didn’t know already then all printed documents should be CYMK not the default RGB)

Step 2. Now select all the layers in your Photoshop document that are not fonts, then right click on them all while they are selected and click “merge layers” ( Note if you have effects on any of your fonts- such as drop shadow or any kind of layer effect you will need to merge them into the background as well). You should now only have one background image then the rest of the layers are fonts. If this is what you have then save and close photoshop.

Step 3. Open Illustrator and then open your document, a window will labeled “Photoshop Import Options”. From this window select “Convert Layers to Objects” then click “OK”.

Step 4. Now for the important part, this is the bit that kills fuzz dead in its tracks. Looking at the artboard click ctrl+a ( or command+a on mac ) and you will see that then entire document is selected now ( you will notice different parts of your document are highlighted with different bounding boxes ). From the menu at the top of the screen click “Type” then click “Create Outlines” and you will see that your fonts are now outlined This means instead of your fonts being fuzzy pixels like your background image, your fonts are now vector and will print perfect )

I hope this helps as i know how infuriating it can be to wasted money on having something printed looks fuzzy and unprofessional, I myself unfortunately did it quite a few times until I worked out what my printer meant when they said to outline my fonts, it was all quite new and confusing to me.

Step 5. You can now go a head and save your document as a PDF and send it to your printer in confidence that it will print fine

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Smile Please! You Could Make Money Selling Photographs To Evening Revellers!

Wouldn’t it be good if you could make money from selling photographs, while having a night out? Well, if you possess a half-decent digital camera, mixed with a touch of self-confidence, believe it or not, you can. Basically, I saw people going around selling flowers outside night-clubs and it got me thinking they were on to something. The way the guy would always have to buy the flower for the girl when they were asked if they wanted one. I racked my brains for a few days trying to think of something that could yield a profit and at the same time be easy to sell.

I knew very little about buying and selling, but as a photographer I thought maybe I could use these skills to make money. Surely if a couple can be persuaded to buy a cheesy plastic rose, they would far prefer a wonderful picture of the two of them gazing lovingly into each others’ eyes.

I thought about ways to try and give people the actual printed photographs in the bars and night-clubs, as this would potentially attract far more customers. I remembered back to the time when I first started selling photographs. People who bought my pictures hanging up on display far outweighed those who purchased from my website – because they could touch the product and own it instantly.

In the end the only solution I could think of was to bring a printer with me into the night-clubs. This sounded a bit ‘far out’ at first, and I thought there was no way it could work. However, I discovered that they actually make portable, but high quality, printers that run on batteries, and that really sparked the idea into life.

Now, I could have carried this plan out by myself. But, it was easier to get a friend to come along with me. One, for moral support, secondly, to carry and operate the printer, and thirdly to help keep an eye out for prospects.

You need to find a friendly club, or bar, manager, tell them of your plan, and persuade them to let you try it out (you may have to donate a small ‘cut’, but surprisingly, not always). It’s then simply a matter of looking for couples who appear to be having a good time, but who won’t punch you on the nose if you approach them. Admittedly not everyone goes for it, but as long as you can ignore the inevitable rejections, a packed bar on a Friday or Saturday night can get you a more than reasonable amount of punters.

Charge between $10-20 a go, and $150 minimum is not an unreasonable amount to expect for an evening’s work. If you find a bar that lets you do this on a regular basis, and they have a small room you can use, you can even buy some pre-cut mounts and provide a premium service selling photographs to your clients. It sounds weird, I know – but, believe me, it’s worth having a go, and it works!

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Bacterial Wisdom As Template for Artificial Free Will

If any genuine “free will” exists, it is at the level of the “I-ness” of a system, the decision making routine, that it comes into play. Before we dive into the technicalities of this issue, let’s first try to brainstorm on what can be understood by “free will”. Although intuitively we “know” what “free will” is, just as we know what consciousness is,it is extremely hard to define it in words. Let’s try to build an ontology “free will” by reciting its features and by drawing the borders of this concept from the notions of what it is not.

I followed a very interesting discussion on the issue of free will and whether it is needed in AI, which I will neither repeat nor summarise here, but a number of striking concepts of which I will use in this essay. I do not claim to have come up with those concepts myself nor do I claim to be an expert on the issue, but I believe that I can add some interesting concepts to the discussion deriving from Ben Jacob’s “Bacterial Wisdom”, “Global Brains” and “Societies-of-Minds”. I will also propose to incorporate an artificial functional mimic of “Free Will” in a Webmind such as the AWWWARENet (Artificial World Wide Web Awareness Resource Engine Net).

A number of concepts stood out above the noise of the aforementioned discussion, which I’ll mention here as features (and non-features) of the “free will ontology”:

“Choice, override, randomness, unpredictability, (non)determination, chaotic, (non)causality and evolution”.

Indeed, for a “Will” or decision-taking routine to be “free”, it must be able to override those possible decisions, which are “causality-determined”. In Goertzel´s Webmind the discriminating faculty is the AttentionBroker routine). In the AWWWARENet, the AttentionBroker presents its conclusions, what course of action is to be taken as being the most rational, as having the highest probability of success, to the I.I.I (Identity,Initiative and Illusion generating routine). In as far as the system has an “override” function, the system appears to be endowed with a faculty of “choice” to an outside observer of the system.

The need for a random-picking faculty arises, when the AttentionBroker present the I.I.I-routine with more than one equally likely options i.e. options with identical priorities.

The issue becomes more poignant, when due to a scarcity of resources or time imposed resource constraints not all options can be carried out simultaneously or worse are mutually exclusive i.e. some must be sacrificed at the expense of others.

Which one to choose if they have all equally preferable numerical outcomes of a resultant vector of the pros and cons and the only differences are to be found on a qualitative level?

It goes without saying, that the advantage-disadvantage summing includes attributing preferential weighting of long term advantages over short term disadvantages.

A rational/causal decision for the system will try to optimise the chances for survival of the system in the long term; short term repairable damage can then be tolerated as a temporary sacrifice.

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